| SC. |
I/E |
D/N |
LOCATION |
ONE-LINE DESCRIPTION |
CAST |
PGS |
UNIT |
SOUND |
VISUAL FX |
MECH FX |
ART |
| 014.E |
EXT |
NIGHT |
CLEARING LIVE TREE |
THE MAN SLASHES THE TREE, AGAIN AND AGAIN, HACKING - FASTER AND FASTER. HER HAND ENTERS FRAME, STAYING HIS. |
1, 2 |
4/8 |
1ST |
TREE CUT |
|
RAIN |
LIVE TREE, BOWIE KNIFE, TATTOOS |
| 014.C |
EXT |
NIGHT |
CLEARING LIVE TREE |
THE KNIFE GRIPPED IN HIS HAND |
1 |
1/8 |
1ST |
|
|
RAIN |
LIVE TREE, BOWIE KNIFE |
| 014.D |
EXT |
NIGHT |
CLEARING LIVE TREE |
THE MAN CRIES OUT. SUDDENLY, VIOLENTLY, HE SLASHES THE TREE. AGAIN AND AGAIN. HE REACHES THE END OF HIS STRENGTH |
1 |
2/8 |
1ST |
CRIES, TREE CUT |
|
RAIN |
LIVE TREE, BOWIE KNIFE |
| 014.H |
EXT |
NIGHT |
CLEARING LIVE TREE |
HER SORROW IS EVIDENT. BOTH FOR HIM AND FOR THE TREE HE HAS MUTILATED |
2 |
1/8 |
1ST |
|
|
RAIN |
LIVE TREE, TATTOOS |
| 014.I |
EXT |
NIGHT |
CLEARING LIVE TREE |
HER POV OF HIM: SHE STAYS HIS HAND. HER SORROW IS EVIDENT |
1 |
1/8 |
1ST |
|
|
RAIN |
LIVE TREE, BOWIE KNIFE |
| 014.J |
EXT |
NIGHT |
CLEARING LIVE TREE |
HER HAND ENTERS FRAME, STAYING HIS. THE MUTILATED TREE |
1, 2 |
1/8 |
1ST |
|
|
RAIN |
LIVE TREE, BOWIE KNIFE, TATTOOS |
| 014.K |
EXT |
NIGHT |
CLEARING LIVE TREE |
SHE WATCHES THE KNIFE. HER EYES FEARFUL, THEN ACCEPTING. SHE HOLDS STILL. HE BENDS CLOSE. THEN RELEASES HER. SHE DECIDES. NODS YES. |
1, 2 |
5/8 |
1ST |
|
|
RAIN |
LIVE TREE, BOWIE KNIFE, TATTOOS |
| 014.M |
EXT |
NIGHT |
CLEARING LIVE TREE |
SHE WATCHES THE KNIFE IN HIS HAND. THE MAN BRINGS THE KNIFE UP SLOWLY. |
1, 2 |
3/8 |
1ST |
|
|
RAIN |
LIVE TREE, BOWIE KNIFE, TATTOOS |
| 014.N |
EXT |
NIGHT |
CLEARING LIVE TREE |
HER BODY. |
2 |
1/8 |
1ST |
|
|
RAIN |
LIVE TREE, TATTOOS |
| 014.O |
EXT |
NIGHT |
CLEARING LIVE TREE |
HER LIPS. DESIRE. |
2 |
1/8 |
1ST |
|
|
RAIN |
LIVE TREE, TATTOOS |
| 014.P |
EXT |
NIGHT |
CLEARING LIVE TREE |
HE RELEASES HER. SHE LOOKS AT HER HANDS. |
2 |
1/8 |
1ST |
|
|
RAIN |
LIVE TREE, TATTOOS |
| 014.F |
EXT |
NIGHT |
CLEARING LIVE TREE |
THE WOMAN LIES FLAT IN THE MUD AND TALL GRASS, PERFECTLY CAMOUFLAGED. TROUBLED EYES. SHE RISES, TAKES A STEP FORWARD |
2 |
2/8 |
1ST |
|
|
RAIN |
LIVE TREE, TATTOOS |
| 014.G |
EXT |
NIGHT |
CLEARING LIVE TREE |
SHE RISES, STEPS FORWARD, STAYS HIS HAND. HE GRABS HER, THROWS HER DOWN, PULLS HER UP. SHE SHAKES HER HEAD. |
1, 2 |
4/8 |
1ST |
|
|
RAIN |
LIVE TREE, BOWIE KNIFE, TATTOOS |
| 014.L |
EXT |
NIGHT |
CLEARING LIVE TREE |
HE PULLS HER UP. ASKS. STEPS CLOSER. BRINGS THE KNIFE UP. HE KNOWS. RELEASES HER. |
1, 2 |
1/8 |
1ST |
DIALOGUE |
|
RAIN |
LIVE TREE, BOWIE KNIFE, TATTOOS |
| 014.A |
EXT |
NIGHT |
CLEARING LIVE TREE |
THE MAN STANDS BESIDE THE TREE, COUGHING. LOOKS TO THE FOREST, CRIES OUT, SLASHES, WOMAN COMES. HE SNATCHES HER VIOLENTLY. |
1, 2 |
2/8 |
1ST |
COUGHS, CRIES, TREE CUT |
|
RAIN |
LIVE TREE, BOWIE KNIFE, TATTOOS |
| 014.B |
EXT |
NIGHT |
CLEARING |
LOOKING OUT TO THE FOREST |
|
1/8 |
2ND |
|
|
RAIN |
|
| 013.A |
EXT |
NIGHT |
COTTAGE |
IT'S RAINING. |
|
1/8 |
2ND |
|
|
RAIN |
|
| (16 SHOTS) |
END OF DAY 8 -- SATURDAY, OCTOBER 14, 2006 |
4 PGS |
| < PREV ] [ DAY 1 ] [ DAY 2 ] [ DAY 3 ] [ DAY 4 ] [ DAY 5 ] [ DAY 6 ] [ DAY 7 ] [ DAY 8 ] |
|
