| SC. |
I/E |
D/N |
LOCATION |
ONE-LINE DESCRIPTION |
CAST |
PGS |
UNIT |
SOUND |
VISUAL FX |
MECH FX |
ART |
| 012.A |
EXT |
DAY |
THE COTTAGE |
THE COTTAGE. SOUNDS OF THE MAN INSIDE |
|
1/8 |
2ND |
MAN INSIDE |
|
|
|
| 007.A |
EXT |
MORNING |
FOREST CLEARING |
BIRDSONG. THE SKY CLEARS SLOWLY FROM DARK TO LIGHT. ESTABLISHING - SUNRISE ON THE COTTAGE. |
|
1/8 |
2ND |
BIRDS |
|
|
|
| 015.B |
EXT |
MORNING |
FOREST |
THE LAST DROPLETS FALL FROM TREE LIMBS AS WARM MORNING LIGHT SOAKS INTO THE FOREST. |
|
1/8 |
2ND |
DROPS |
WARM MORNING LIGHT |
DROPS |
|
| 015.C |
EXT |
MORNING |
FOREST |
AS WARM MORNING LIGHT SOAKS INTO THE FOREST |
|
1/8 |
2ND |
DROPS |
WARM MORNING LIGHT |
DROPS |
|
| 001.G |
EXT |
MORNING |
FOREST CLEARING |
THE FOREST IS QUIET, WAITING. |
|
1/8 |
2ND |
|
|
DEAD LEAVES SWIRL |
|
| 001.A |
EXT |
MORNING |
FOREST CLEARING |
ESTABLISHING OF FOREST |
|
1/8 |
2ND |
|
|
|
|
| 001.B |
EXT |
MORNING |
FOREST CLEARING DEAD TREE |
A DEAD TREE WITH 37 TALLY MARKS DOMINATES ONE END OF THE CLEARING, NEAR THE FOREST BORDER. |
|
1/8 |
2ND |
|
|
DEAD LEAVES SWIRL |
37 TALLY MARKS |
| 001.C |
EXT |
MORNING |
FOREST CLEARING DEAD TREE |
DEAD TREE TRUNK WITH 37 TALLY MARKS |
|
1/8 |
2ND |
|
|
DEAD LEAVES SWIRL |
37 TALLY MARKS |
| 004.E |
EXT |
MORNING |
FOREST CLEARING |
SMALL ANIMALS AND BIRDS - BUSY WITH THE DAILY URGENCY OF SURVIVAL |
|
1/8 |
2ND |
|
|
|
|
| 001.D |
EXT |
MORNING |
FOREST CLEARING DEAD TREE |
A MAN STUDIES THE TREE, MUSTERS HIS WILLL, ADVANCES, CUTS THE TREE VIOLENTLY, STEPS BACK, TURNS AWAY |
1 |
1/8 |
1ST |
CUTS TREE |
|
DEAD LEAVES SWIRL |
BOWIE KNIFE
37 + 1 SLASH=38 |
| 001.E |
EXT |
MORNING |
FOREST CLEARING DEAD TREE |
A MAN MUSTERS HIS WILL, STEPS IN, STEPS BACK, TURNS AWAY |
1 |
1/8 |
1ST |
CUTS TREE |
|
DEAD LEAVES SWIRL |
BOWIE KNIFE
37 + 1 SLASH=38 |
| 001.F |
EXT |
MORNING |
FOREST CLEARING DEAD TREE |
THE MAN STUDIES THE TREE, MUSTERS HIS WILL, ADVANCES, CUTS THE TREE VIOLENTLY, STEPS BACK, TURNS AND STRUGGLES AWAY |
1 |
1/8 |
1ST |
CUTS TREE |
|
DEAD LEAVES SWIRL |
BOWIE KNIFE
37 + 1 SLASH=38 |
| 001.H |
EXT |
MORNING |
FOREST CLEARING DEAD TREE |
A BOWIE KNIFE IS GRIPPED, TIGHT, AT HIS SIDE. STEP IN, STEP BACK. |
1 |
1/8 |
1ST |
|
|
DEAD LEAVES SWIRL |
BOWIE KNIFE |
| 001.I |
EXT |
MORNING |
FOREST CLEARING DEAD TREE |
THE MAN ADVANCES, CUTS THE TRE VIOLENTLY. HOLD ON HIS VIOLENT HANDIWORK. |
1 |
1/8 |
1ST |
CUTS TREE |
|
DEAD LEAVES SWIRL |
BOWIE KNIFE
37 + 1 SLASH=38 |
| 001.J |
EXT |
MORNING |
FOREST CLEARING DEAD TREE |
THE MAN TURNS AND STRUGGLES AWAY, MASTERING AN UNSEEN PAIN, TOWARDS... |
1 |
1/8 |
1ST |
|
|
DEAD LEAVES SWIRL |
BOWIE KNIFE |
| 001.K |
EXT |
MORNING |
FOREST CLEARING COTTAGE |
...TOWARDS THE COTTAGE (MATCH CUT FROM 001.J) |
1 |
1/8 |
1ST |
|
|
DEAD LEAVES SWIRL |
BOWIE KNIFE |
| 004.G |
EXT |
MORNING |
FOREST CLEARING COTTAGE |
MAN RETURNS TO THE COTTAGE, KNIFE IN HAND |
1 |
1/8 |
1ST |
|
|
DEAD LEAVES SWIRL |
BOWIE KNIFE |
| 004.F |
EXT |
MORNING |
FOREST CLEARING DEAD TREE |
THE MAN IS BY THE DEAD TREE. HE CUTS IT AGAIN. ADDING A TALLY MARK TO MAKE 39. |
1 |
1/8 |
1ST |
CUTS TREE |
|
DEAD LEAVES SWIRL |
BOWIE KNIFE
38 + 1 SLASH=39
|
| (18 SHOTS) |
END OF DAY 1 -- SATURDAY, OCTOBER 7, 2006 |
2 2/8 PGS |
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